Written by, directed by and starring Joseph Gordon-Levitt, “Don Jon” tells a story of a recovering porn addict.
What makes this film interesting is its exquisite use of sound and editing to foreshadow what’s going on in Jon’s head. From the “gong” of the computer booting up, to the frenetically rhythmic jump cuts, each successive use of these elements teases the audience with a sense of anticipation that creates an increased desire to reach the film’s climax; but not too quickly.
It is highly evident that the film editor and sound editor worked very closely to ensure that the timing of every sound cue worked seamlessly with every image they supported. Thus, each visual and aural interaction would create a visceral experience for the audience.
While the sound and editing help to show what’s going on with Jon internally, what makes us care about Jon are his relationships.
In the grand theme of this picture, Jon’s relationship with his family and friends establishes his modus operandi, his unhealthy relationship with his girlfriend Barbara (Scarlett Johansson) brings about his discovery of a problem, and his relationship with classmate Esther (Julianne Moore) clearly identifies what that problem is, why he has it and starts him on the road to recovery. As it relates to his family and friends, these relationships demonstrate the potential outcome of remaining the same by living an unexamined life. With regards to Barbara, the demise of their relationship is the catalyst that sets Jon on an uncharted course to self discovery. But his relationship with Esther helps him find his bearing and set a course of exploration that will bring him healing.
All of the characters in this movie are played well. As Barbara, Scarlett Johansson brings to life all of the “Jersey Shore-ness” we’d expect from a fictitious Garden State beauty, but with a level of realness that the reality show lacked. Julianne Moore effortlessly embodies a grieving widow and mother who is able to help this confused young man and at the same time find solace for herself.
The only disappointment was Joseph Gordon-Levitt himself. His effort to portray Jon as a stereotypical Jersey boy came across as a caricature instead of a character. Perhaps his performance would have been better had he not directed himself.
“Don Jon” is a visually stunning and emotionally compelling film that treats addiction with seriousness and heart.
